The Louise Log trailer #1(60 sec.)

June 23rd, 2010



While we’re getting ready to shoot a whole new season of episodes with Louise (and others) here’s a very quick reminder of why you love Louise and can’t wait to see more of her adventures-- coming this fall:





    How To Make A No-Budget Web Series: Writing The $?@!?!# Script

    December 29th, 2009



    Okay so you’ve found a story that’s in the public domain which you’re rabidly excited about and can use however you want. Or, more likely, you haven’t. In desperation you’ve settled on a character with a strong desire which could lead her/him into conflict. The operative word is ‘could’. But HOW?

    I’ve found Syd Field’s Screenwriter’s Workbook extremely helpful: it’s a step-by-step approach that breaks the job down into what to do today. It’s simple. He treats screenwriting like brick laying. My copy ended up in tatters from over-use and I eventually had to buy a second one.

    Picture 56


    But, before we get ahead of ourselves, what if you’re not shredding your copy of Syd Field? What if you spend most of your time and energy ridiculing or second-guessing any idea you might have? How do I know this?

    Should the day come when you can no longer bear the thought of your script, much less of approaching your desk, you might want to take a crack at Lawrence Block’s Write For Your Life affirmations. (Once you’re on his website, wait for the door to open, click on ‘LB’s BOOKSTORE/SIGNED BOOKS FOR SALE’, and scroll down until you see a little yellow book icon. You want the next thing- for $5) It’s astonishing to think that a sophisticated subconscious can be tricked by a tape of affirmations but I’m telling you, this one works. And it has for me for years.

    (it's actually black and white...just feels like gold)

    (it's actually black and white...just feels like gold)



    Strap on some headphones and go for a walk- or find a baseball bat and hit your mattress. I come back feeling refreshed, recharged and eager to sit back down (and it’s not just from pounding the mattress). For a preview of the tape, go HERE and advance to 2:13 into the video. (The guy listens to the very tape.) (No, all of the affirmations are not so completely crazy.)

    Should your problem persist (i.e. no story is emerging), it’s time for systemic nutrition – Julia Cameron’s The Artist’s Way.

    Picture 57

    Run to the nearest bookstore and buy the book. You can do it on your own or better yet, get a few friends to form an Artist’s Way group and do it together. The Artist’s Way is a workbook jam-packed with challenge, fun and inspiration. I met one of my favorite actors in an Artist’s Way class and have been in a little Artist’s Way group with friends since before I ever took the class. I can’t recommend it enough. And this is from a person who is ‘not a joiner’.

    These tools have been trusted friends since my first attempt at writing a feature length script. I’d love to hear your suggestions on how to outfox writer’s block. There’s plenty of room in the comments section below so please be my guest.

    And set your clocks for one week from today for the next installment: How To Adapt A Story To A Web-Series Format. In the meantime, Happy New Year!


      How To Make A No-Budget Web Series: The Script

      December 17th, 2009


      Picture 29

      When the script for what was supposed to be my second feature failed to attract a producer, I decided to kick back and take a crack at viral videos. Compared with sustaining a story for ninety minutes, how hard could it be to come up with one to three minutes? I loved ‘Charlie Bit My Finger’! And I know lots of kids. . .

      Follow my example and you too can ruin a summer. I spent every day for two months just missing a thousand great moments– and this in spite of the camera perpetually in my hand. As my dear producer friend Hanna finally advised: “It’s easier, Anne, if you have a script.”

      Considering the reception that my ’second feature’ script had gotten, I was feeling a little gun shy about my abilities as a storyteller. Casting around for a classic story, a very old classic story for which the rights would be in the public domain and not an issue seemed like a good idea. Ideally this story would take place in a few naturally-lit, simple locations which I have access to- for example, my apartment. Best case scenario, this story would involve a minimum number of actors. Obviously it should not require anything fancy like a car crash, an explosion or a real policeman’s uniform.

      A major stumbling block arose: I’m a very slow reader and, worse, reluctant to pick up any printed matter unless it’s a self-help book.

      Stay tuned for the next installment of this cliff-hanger blog. In the meantime, here’s the link to an episode (217 sec) of my no-budget series: The Louise Log #13: Louise And The Repairman


        Art/Money Ratio Conundrum

        December 13th, 2009


        Two days ago, my dear childhood friend Ann forwarded an astonishing email about art, criteria and money.

        As an artist more excited about making things than promoting them, I’ve suffered my share of anguish at the difficulty I’ve had supporting myself with my work. I can’t seem to shake the belief that if it were good, it’d rise to the top. And especially now, with the internet and the potential for virality, if you’re doing really good work how can it not go viral? How can you not gather fans and (eventually) make a living?

        Here’s the email:

        Washington, DC Metro Station on a cold January morning in 2007

        Washington, DC Metro Station on a cold January morning in 2007


        A man with a violin (pictured) played six Bach pieces for about 45 minutes. During that time approx. 2 thousand people went through the station, most of them on their way to work.. After 3 minutes a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried to meet his schedule.

        4 minutes later:

        The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.

        6 minutes:

        A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

        10 minutes:

        A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.

        45 minutes:

        The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.

        1 hour:

        He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.

        No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.

        This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.

        The conclusion made by the sender of the email was: if we can miss out on this, how many other things are we missing because they’re not framed in time and place as ‘important’ or ‘great’ ?

        My conclusion is the flip side: context and promotion are still king. People are inundated. They’re still looking to the gatekeepers to tell them what’s good, what to spend their time and money on.

        So take heart. (talking to myself here. . .) Modest notoriety-and-income from creative work are not (necessarily) a measure of worth or potential. I’d love to hear your thoughts and comments.

        The next blog here is going to be the first in a series on everything I’ve learned and am learning about ‘going viral’.


          The Morning After

          November 29th, 2009



          I was able to score a turkey on the Friday after Thanksgiving – Grabbing the smallest one at 21 pounds, I rushed around the Fairway, grateful that we wouldn’t be having Salmon! or Three Chickens! For 12-15 people, it seemed like a lot of groceries but I’ve never been good at estimating quantities. I was grateful to get out of there without going into overdraft.

          I set to work to quadruple the recipe for the cornbread to make the stuffing. With three young men in their twenties, three men who eat like they’re still in their twenties and the rest of us (and who doesn’t like stuffing) I figured I’d go a little high on the quantity. It’s always a desperate feeling when you’re at the end of the line and see the plates leaving the buffet piled high with stuffing, knowing that your chances of getting even a spoonful are dwindling.

          There aren’t enough baking pans or bowls in this house to handle the quantity that started piling up on the counter. Well a bowl doesn’t necessarily have to be a ‘bowl’… almost any pot or receptacle I could scrub clean was fair game. But I was drawing the line at plastic wastebaskets. (For the curious, they were on the other side of the line.)

          The cornbread came out gorgeously golden and brown. The rest of the stuffing ingredients cooperated as they always do. I did my calculations. To have dinner by 4PM, the bird would have to be in the oven by 8:20AM. I forced the door of the frige closed on the uncooked stuffing and called it a night.

          Bouncing out of bed at 7:20AM, my body and mind were focused and ready for action.

          There were the usual Woody-Allen-and-the-lobsters moments as the turkey slipped out of my grasp but the bird made it into a brown paper bag, a roasting pan and into the oven only ten minutes late.

          While Frank (age 20) and I shopped for pies and bread, the first call came in: one of our good eaters and his family would not be coming. Someone had a fever. It was a blow but we hurried back to throw ourselves into the final preparations. We’d be three fewer. The stuffing was looking a little out-sized. “How much stuffing did you MAKE?” Uhhh. Multiplying in my head has never been a strong suit: “Thirty-four cups? Or was it fifty-six?”

          As the turkey emerged from the oven, the second call came in: two more of the good eaters, in fact two of our BEST eaters, young men in their 20’s would not be coming. NOT COMING!?? Whaaaaa? We’re down to seven?? I hardly dared to glance at the pots upon pots of cooked and uncooked stuffing on the window sills, on the counter, on every possible surface. The stuffing had taken on a menacing quality, like an avalanche.

          Dinner was intimate and one of the best Thanksgivings in memory. People talked in pairs and as a group: everyone had a moment to shine. The dinner was delicious. The stuffing was ‘divine’: only problem, we didn’t even make a dent in it. For the clean-up phase, we had to go out for more tupperware.

          There are bags of stuffing still uncooked in the freezer (Christmas?) There are buckets of it ready to reheat filling a whole shelf of the frige. Blame it on a childhood of frugal portions of stuffing which skewed my focus about what makes Thanksgiving. I’m actually thinking about skipping the dish at Christmas. Thank goodness for the loving family who came for dinner.


            The Un-Thanksgiving

            November 26th, 2009



            Lucky me. We’re not having Thanksgiving til Saturday (when it suits the majority of people involved). It feels like not having to go to work on a Monday. YAY. So while every other house in America is filled with the pandemonium of a large midtown restaurant getting ready for the lunch rush, I’m a lady of leisure.

            Today I want to begin to explain why the 17th episode is not almost ready to go. It’s so boring, I don’t even want to talk about it (much less deal with it) but besides editing an episode, there’s necessary behind-the-scenes work that’s always piling up. It’s not creative, it’s hardly ‘fun’ and I always put it off.

            The hard drives need weeding of duplicate/unnecessary files and then re-organization. The urgent pressing task of today is getting the url http://TheLouiseLog.com back on the job. In the recent ‘translation’ of the website, it somehow forgot that it’s the main address. For anyone who’s interested, here’s a (terrifying) summary of the other main distraction from making more episodes: Ted Hope’s 20 New Rules. In the light of this, the incredible comments/sharing response of the fan base to episode #16 makes me truly grateful. Thank you all. Happy Thanksgiving.


              This is it.

              November 25th, 2009



              I ran into a neighbor the other night as he exited a very good restaurant around the corner, his usual to-go dinner in a brown bag. ME: Hey, how’s it going? HIM: Ohhhhh you know. Maybe if we can just get past this period.

              I looked him over. He was upright, unassisted, no obvious ravages of a skin-eating virus. ME: What do you mean, ‘this period’? He averted his eyes.

              Now I certainly don’t know what he’s really going through but having just returned myself from visiting someone in what they used to call a nursing home, and compared with where we’re all (evidently) headed, he looked pretty good. So ‘getting through this period’ looks like something better not rushed. Looks like this just might be the good part. Hate to say it but I think THIS IS IT.



                Dum da dum dum

                November 24th, 2009




                Oh boy. Finally sent out the link to the 16th episode. Now have to clear off this desk and pick up the pieces of my life in chaos. Turkey isn’t ordered, now it’s ‘too late to order’ ?? What!!? So maybe everyone will be turkied out by then. . . we’ll have whatever they’ll sell me. Chicken? Fish? (I can already hear the outrage from certain good eaters. “It’s THANKSGIVING, Mom.”) Like maybe I didn’t notice. Or just not that bright.

                More like an elongated twitter post than a ‘blog’. . . Forging ahead. But hey if you’re into twitter, here’s someone totally worth following. Smart and FUN-NEE: CcSteff



                  site design: Broken Beakers